Frank Turner Interview

This is the first interview that has found it's way onto my blog, which just so happens to be from one of the musicians I admire most in the world. Said musician is folk-rock extraordinaire Mr Frank Turner.

Q.  If you could instantly change one thing in the world, what would it be?

A. I'd add an extra month to the year so I could get some sleep.


Q. It's safe to say you're pretty successful now, yet you don't appear
to have any air of self-importance or 'celebrity status', how and why do
you do this?

A. I don't consider myself to be a "celebrity" or indeed important, either
to myself or anyone else. The facts are against it. I'm not doing any of
this to be famous or anything like that - my aim is to make good music
and be a good entertainer. My mother brought me up to think arrogance to
be the worst of sins. Plus the guys in my band and crew rip on me
mercilessly 24-7, which helps keep me grounded.


Q. Other than band/crew/instruments etc, what would you hate to go on
tour without?

A. My laptop, in all honesty. I use it to write, demo, work, keep in touch,
all that kind of thing.


Q. What's the weirdest show or venue you've ever played?

A. There are too many to choose from. The illegal tour I did in China in
2010 was pretty wild.


Q. What do you miss most about England when you're in different countries?

A. Greasy spoon cafes. Full English and a cup of tea for £3.50? Bliss.


Q. Other than Winchester or London, where is your favourite place in the UK?

A. Hm, good question. As a city I'd probably pick either Leeds or Exeter.
For the wilds, either Devon or the northwest Highlands in Scotland.


Q. You've done some pretty amazing things, toured the world, played
Wembley etc, musically, what else do you wish to achieve?

A. I have much more to achieve. I'd like to write better songs - songs that
could hold a candle to Townes Van Zandt.


Q. Who is your greatest musical inspiration?

A. Overall I'd probably say Bruce Springsteen. He's got it all.


Q. Which new or less known artists do you think most deserve to do well?

A. I'm a big fan of Jim Lockey & The Solemn Sun, and also the Retrospective
Soundtrack Players - their new record is amazing.


Q. If you weren't a musician, what do you think you'd be doing?

A. Trying to be one.


Thank you Frank!

Music fans - enthusiasm, or obsession?

Musicians rely on fans to survive as much as they do food and water. Without them, records are not sold, merchandise is abandoned and shows are left emptier than Simon Cowell’s soul. They’re completely necessary to keep a band afloat. This deal works well both ways – people get albums they love, and shows to go and see, in return for a few quid. That in itself doesn’t seem too horrific. Music is a staple part of so many people’s lives, and it’s natural to return to your favourite musicians, but is there a darker side to an adoration of an artist? I can’t help but wonder when the line crosses between being a fan, and being somewhat obsessed. It is surprisingly easy to buy into the lifestyles associated with various musicians, whether it is an intentional action or not. Perhaps it really does fill a void within people’s lives, but it doesn’t seem a particularly healthy attitude to have. Though would it even be in the interest of an artist for this to stop – could musicians be as successful without this fixated culture?

Of course, this is far from a new way of behaving. It’s been prominent since Beatlemania, all the way to Gaga’s ‘Little Monsters’. I like to think that at a point in time, someone was rocking out to Baroque, or there was mass hysteria at the mere sight of Tchaikovsky. 

Observing live music recently, I’ve witnessed all levels of musical enthusiasm, from vague interest, all the way to ‘I-know-where-you-live-and-everything-about-you’ type obsession. The more I’ve considered it, the more alarming it seems. Do we really exist in a society where reliance in music, or a particular musician, can become a major focus point of our lives - and which is completely socially accepted? I can’t claim innocence entirely (though perhaps not as ‘dedicated’ as some...), but keeping a healthy attitude towards the music in our lives, especially with the accessibility and reminders constantly provided by social media, seems more important than ever.

Looking at this from a completely cold-hearted angle – your favourite musicians inevitably want money from you. They need it (for the most part), to keep providing new music, and to be able to continue touring. But this means these people are not your friends - they’re business associates. 

Don’t get me wrong, I adore music, and I always will. I have nothing but respect for (most!) people who dedicate their lives to music. It does, however, seem important to treat enthusiasm for an artist carefully. It’s easy to forget that a record deal does not make people any less human, or ordinary. The poignant moment for me, that was the catalyst for this, happened last week. I travelled a 190 mile round trip to see my favourite musician, (the second show that week), and once home realised I’d spent more time talking to him, than my friend I was staying with. That doesn’t seem right to me.

Frank Turner & the Sleeping Souls - Wolverhampton 2012

Writing a review for possibly the most anticipated gig of your life, has proven to be no easy task. Listening to your favourite CD’s, and then hearing those songs played live a few hours later is a bizarre, yet wonderful experience. My excitement levels prior (several days prior) and throughout the show were through the roof, the kind of feeling where everything seems a little bit blurry afterwards, but you know you had a fantastic time. This makes writing a detailed or completely accurate account of the show slightly difficult, but I really don’t care. I don’t think I could have had a better evening, even if the entire building was made of Dairy Milk and the bar was free! (A little insight into my life, there.)

I can’t pretend I’m writing a review for an artist I’ve only just discovered, or try to balance out the positives with negatives (There are none, it’s just not possible...).  It is no secret that I’m a bit of a Frank Turner & the Sleeping Souls enthusiast, no other music has such a calming or positive influence on my life. I’ll forever be grateful to the person that decided to put a copy of Love Ire and Song in the Northampton branch of HMV! Listening to Frank albums tends to trigger a mutter of ‘oh god, not that again’ from my family. That’s not a reflection on the music I hasten to add, just the volume of air time I give those CD’s!

The support bands, first Jim Lockey & the Solemn Sun and then the seriously talented Tim Barry provided a great start to the evening. JL&SS got the audience really ready for the show, they were clearly so enjoying what they were doing, it seemed to transfer to the crowd. Sometimes when you don’t know songs, it makes it a bit more difficult to enjoy a set, but this wasn’t the case. At risk of sounding like an elderly person, I noticed that they were very ‘trendily’ dressed – like a better looking Mumford & Sons! I hope they continue to become increasingly successful.

Tim Barry played one of the most fantastic sets I’ve heard this year – I was genuinely transfixed by his story-telling lyrics from the first song. I haven’t been that stop-dead surprised since I first heard a Frank song. His lyrics are meaningful and insightful, yet give you a sense of positivity and hope. His speech about the first time he met Frank created a personal connection with the audience – people could relate to his admiration, but it also gave the smallest of insights into his life. I wish more musicians could be this honest on stage – it seemed like you were seeing a real person, rather than a stage persona they wanted you to see. I don’t know why this guy isn’t internationally acclaimed already – I know I’d rather listen to his songs than most of the ‘successful’ Top 40 ones at the moment! (Little Mix bring me out in a rash). I’m pretty sure he’s gained thousand of new fans on this tour alone!

Frank Turner & the Sleeping Souls were just as brilliant as I thought they’d be. I felt like the set list was made up of everyone’s favourite songs, and the buzz in the atmosphere was awesome. The time flew by, yet it felt like so much had happened. I’ve noticed it before, but even more so at a show – Frank has a seriously devoted group of followers. Without fail, everyone was clearly so happy to be there. I’ve seen more live bands than I can count, but not one has fans with that level of faith in the words of someone else. Of course, I’m in no way saying that it has any kind of religious element, but for people perhaps not convinced by the presence of a greater being, it’s important to have something to relate to and believe in. Frank’s music definitely appeals to good people – I have spoken to so many new people, simply because of a common interest in music. Unlike many gigs, there wasn’t hesitation when talking (though to be honest, that might have been the Believe beer...).

A Decent Cup of Tea was a surprise to hear, it unexpectedly made me cry. It’s the kind of song you listen to when you’re low, more of a private song in some ways. Hearing something like that that holds so much meaning was gut-wrenching but wonderful. Getting emotional about a song is something I suppose you should embarrassed by (especially when you were right at the front), but I’m really not. I think that’s the point of Frank’s lyrics, especially A Decent Cup of Tea. They get to you, they’re though-provoking – being affected by them is a reflection of how well-written they are.,

They had an incredible energy from start to finish – it honestly seems like they put everything they possibly have into each show. They looked utterly exhausted by the end.. Though Frank looked the same as he did before the show, just half an hour after it seemed he might sweat to death. Miraculous! 

I can't think of any musicians that are this successful, who are still happy to sign tickets (or arms in my case), and take pictures. They are incredibly likeable, which makes for an even better show. It’s refreshing that there is so little divide between musicians and audience, there’s a real sense that that’s how music should be – how life should be, even. They’re crushing a little part of the incredibly irritating part of celebrity culture – I think that’s bloody brilliant. 

This was my first Frank Turner & the Sleeping Souls gig, and it certainly won’t be my last. In fact I’m travelling all the way down to Southampton next week, I loved it so much! If you get the chance to go to a show, do. I promise you, you won’t regret it! 

And to finish, here is a completely ridiculous photograph. I might sound all calm and collected now, but I think we can agree that this says otherwise of last night...

Bowling For Soup with Patent Pending & Dollyrots - Birmingham o2 Academy - 24/10/12

A band can have the greatest songs ever written, the most talented musicians in the world and a venue to rival Wembley, but if they don’t really want to be there, then all of that is futile. If the band aren’t interested, the crowd aren’t either, but thankfully, that certainly wasn’t the case last night. Patent Pending couldn’t have provided a more enthusiastic start – their energy onstage was completely infectious, right from the word go. Banter (yes, i hate that word but it seems suitable) between songs was genuinely funny – comedy AND music - win win! There were understandably some people who knew Patent Pending songs, and some who didn’t – but the songs are so catchy, most were quickly won over. I was so excited to hear ‘Douchebag’, but was unfortunately next to some people who were not so familiar with the song - my enthusiastic dancing and beautiful (atrocious) singing earned a few strange looks!

A part of their set, which particularly stood out, was a speech leading up to their song ‘One Less Heart To Break’, regarding the passing of a friend. It aimed to give hope to those who needed it, and was such a refreshingly honest sentiment, I found myself tearing up slightly. Ordinarily, when it comes to onstage declarations and ‘motivational speeches’ I have the emotional range of Kristen Stewart, well, in any Twilight film*, but this got to me. I’ve seen countless bands live, but never once have I seen someone delve into the tricky world of the end of life, and come out having created such a positive message. I hope it reached whom it needed to reach. There’s enough misery in this world without adding to it on stage. Other bands should take note.

*Kristen Stewart has three emotions, miserable, miserable and miserable.

By the end of their set, the majority of the crowd were as excited about this new found band as they would be if Bowling For Soup themselves had just finished playing. It’s an impressive feat to stir up that much excitement in the space of a relatively short set.  

I have a confession to make about The Dollyrots set – I went for a much needed pint (or two) after so much Patent Pending dancing, that I didn’t actually SEE them – but I heard them, surely, that’s the most important thing? They have a very unusual sound. I mean this in a completely complimentary way, but there are few bands I can think of that are a fair comparison - the one that comes closest is probably Letters To Cleo. Quirky is the word that seems most suitable to describe them – especially the unexpected cover of The Wurzels. There’s something indescribably strange about them (The Dollyrots...but also The Wurzels) – but which makes them hugely likeable. 

Each time I see Bowling For Soup, there is an apprehension at the back of my mind – is this the tour that they’ve started taking themselves too seriously? It would almost be understandable, as it seems to be expected with a lot of artists that once they reach a certain level of success, they become, for lack of a more sophisticated phrase, completely up their own arses. Thankfully, this was not the year, that BFS decided to jump on the pretentious bandwagon! Would you ever see the mighty Bono waving to people? Would Muse stop mid-show to hoist a penguin? I think not.

Although it’s clearly a smart career move, you can’t help but be appreciate how down to earth they seem, and genuinely nice. Likeable songs and likeable people are such a welcome change to the seemingly god-like status that many bands award themselves. BFS shows are a breath of fresh air. I’ve said it before, but I’m always taken-aback by how genuinely friendly people are – even the maddest of dancing is conducted in a polite, very English way! The band seems to attract positive people, and it really shows. You can tell that most people there have so much time for them, and know the songs inside out – it makes for a great atmosphere. 

If you leave a gig feeling in some way better than you did before, then the band have done their job. For yesterday’s show, slightly better is an understatement - the somewhat crazed smiles on people’s faces as they left demonstrated that they did a very good job! 

As I’ve written this the next day, I can give a sort of review of the aftermath. I got out of bed this morning, still slightly reeling from getting to bed in the early hours, only for my legs to promptly give way, as I fall into the wardrobe. Well, you can’t say I wasn’t enthusiastic!

*Waves*

5 bands you should be listening to:

Some of these are obvious, if you haven’t heard of them I presume you’ve been living under a rock for the past 12 months, but some are older or less known, and (I personally think) are brilliant. So without further ado...

1. Hal

This delightfully laid-back band are from Dublin, and I have to admit until earlier this month I’d forgotten they even existed. Their first album called, well...Hal, is a work of pure musical genius. I defy you to listen to this song, and not feel a little bit happier and relaxed than you did before.

http://www.youtube.com/watch?v=6kvA4X4vAZo

2. The Vandals

They’re certainly not new, and definitely not unheard of, but undeniably under-rated. Their pop-punk/punk-rock songs, (call them what you will), are just as good as bands like NOFX, but a lot less tiring for your mind to process. Although some songs have a genuine deeper meaning, it’s masked in silly lyrics and infectious riffs. Enjoy!

http://www.youtube.com/watch?v=uo8EuOu1ojk

3. Frank Turner and the Sleeping Souls

Anyone that knows me may already know about my (slight!) fixation with these guys. But there’s a reason for my enthusiasm for all songs Frank Turner! If there’s a more relevant songwriter at the moment, I haven’t heard of them. He’s slowly taking over the world, one glorious song at a time!  I won’t waste your time explaining self-indulgent reasons why various songs are good. Just buy an album, and listen to it! (If you don’t like it you’re strange, though.)

http://www.youtube.com/watch?v=IbwLNAyw2_g

4. Smoking Popes

The creators of one of the most beautiful songs ever made. They have other great ones, but this one is in an entirely different league.  I’m not even going to say any more - just listen.

http://www.youtube.com/watch?v=peo9baUYVW0

5. Bayside

This is a tricky one, that I hate to love, because they are the writers of the most miserable lyrics ever written. Seriously, you could search through  the back-catalogue of every artist to have graced the world with music, and they’d still win the ‘depressing song award of all time’. But the music is brilliant. As long as you don’t listen to much, or take it too seriously, then you’ll be fine. Infact, I prescribe three Frank songs for every one Bayside. Sorted!

http://www.youtube.com/watch?v=H_HoxgJqmjg

 

Top 100 Songs...

http://rateyourmusic.com/list/Aliceissocoollike/my_top_100_songs_ever/

It's a little self-indulgent, but I was too tired to write anything. (though it took a surprisingly long time!)
The title pretty much says it all...the top 100 songs I think everyone should hear.

Möngöl Hörde - Why The Angst Frank?

I am currently writing this review with a lovely visit from the hangover fairy, a sign that 1. Last night was fun, and 2. I was so impressed with the show that I could be virtually comatose, lost in the desert or in fact missing a head, and I'd still find a way to write this.

It was a slightly odd experience at first, to hear such angry, loud music, with the familiar element of Frank's voice. Even compared to Million Dead, it's in a completely different league of angst! It is such a stark contrast to the normal 'Frank style' - the songs far angrier, even threatening. They couldn't have expressed more different emotions and thoughts.

The small venue certainly added to the sense of threat and anguish. One of the main reasons that Frank's solo music is so appealing to so many different kinds of people, is the thought-provoking, relevant and at times, comforting lyrics. If you're looking for that kind of music, Möngöl Hörde is definitely not the way to go!

The harsh nature of the songs portray the band as some 'gentle folksters' who have lost it a bit! As if they need to express something other than the positive elements of life. They shouted, almost protested, and people listened. It's like we caught a glimpse of the bands 'dark side', something that everyone has, but few have the courage to express.

The complete lack of pretence, and no real visible divide between musicians and audience, is a novel change, and something that makes the band stand out. It was impressively slick for a first gig - clear evidence of the talent they possess.

To detour briefly from the music side for a moment, I was genuinely impressed by the friendly atmosphere, and the attitude of people there. My previous apprehension about going on my own was quickly dissolved, before I'd even set foot in the pub! It was a welcome change to the average people often found at 'heavier' shows.

The only criticism I can find to make, is the lyrics were mostly inaudible - though I suspect that's probably the point!

It was a hugely enjoyable, lively and engaging show, and not much can be found to class as negatives, but please Frank, don't give up your day job completely!

Music Piracy

The UK Top 40 is designed to be an accurate account of the most popular songs purchased each week. It is a tool that allows the general public to discover new music, and is a point of focus for many artists, from which to measure their success. It ensures that these artists, and inevitably their record labels, make a large amount of money. This therefore suggests the charts are run by major labels such as Sony and Universal, not necessarily the consumers themselves.

Since the development of illegal download technology, a large proportion of people choose to obtain their music from sources such as file sharing websites. This is a fairly recent development, but surely not a surprising one. It has hugely affected single sales, the younger generation generally being blamed for the atrocity of piracy, but were the technology available 20 or 30 years ago, would the same thing happen? Most likely, yes. It can't be ignored that music prices are at an all time high, both in record sales, and other factors such as tickets and merchandise. However, we know, the record labels know, and the artists themselves know, that free music is far more appealing for most people, than a £12 album. It can be argued that music piracy is plain theft, which theoretically it is, but the ability to listen to a variety of music, entirely legally, is a significantly large expense. An expense that a lot of people can't honestly afford. Shouldn't music be available to anyone who wants it, rather than those who are able to chuck pounds at it?

The accessibility of illegal downloads, does have consequences, other than legality issues. The first, is that the divide between those who pay for music, and those who don't, could easily be ruining the legitimacy of the Top 40 chart. Certain music, attracts certain people. Those who have a tendency to bend the rules slightly in life, may listen to music that reflects their personality. It's a likely possibility that they obtain this music illegally. Piracy downloads contribute to 0% of the charts. Purchased music is the only music being promoted as the most popular songs of each week. This means their are a vast amount of music people are listening to, that is completely unaccounted for. Isn't this seemingly prehistoric in comparison to current technology? Or is it simply that musicians, and their money-making labels have no interest in acknowledging, therefore partly accepting piracy?

I would be a huge hypocrite were I to now lecture about the moral implications of music piracy. As someone who listens to music frequently (understatement), and as a student, the cost of buying all the music I listen to, is vast and simply not realistic. However, I buy as much as I am able to, especially lesser known artists. The second implication of music piracy, is the effect it has on the artists. Why should they struggle, because of the ignorant attitude of others? There is a benefit for the consumer too. Live music is a great part of the music industry, but not possible without a sufficient fund. You could even think of legal music purchases as investing in your favourite artists. You fund their tours, which you later benefit from. You make sure they're able to continue to create music. Piracy may make music accessible in the short term, but is it slowly destroying the music industry? If this continues, will it be detrimental in the long term?

Cover of a Frank Turner cover of Linoleum by NOFX

http://www.youtube.com/watch?v=fs757S5FA38&feature=plcp

Oh Love by Green Day - Single Review

Saying that Green Day have changed quite a bit over the years, is like saying that McDonalds are 'quite a big corporation', or The Beatles 'did quite well'. They have changed frequently, and dramatically. Virtually unrecognisable from the early days of 1,039/Smooth out slappy hours and Kerplunk, their lives have taken them from teenage angst punk, complete with manic hair and matching personalities, to the more grown up, less raw albums such as Warning, gaining eager fans and huge exposure with Dookie, until eventually reaching phenominal success with the creation of the political, screaming album that was American Idiot. This was a monumental moment in music, and potentially an incredibly influential record. They included some of that new found power in the generally well acclaimed 21st Century Breakdown. The question is, where can they go now?

In a recent interview, shortly after announcing the triple album triology ¡Uno!, ¡Dos!, ¡Tre!, frontman Billie Joe Armstrong said that the new records would 'be a departure from their recent work'.
However, he claimed the new sound will not return to the style of Dookie or Insomniac, but instead would be 'punchier, more power-pop. Something between AC/DC and the early Beatles'.

The idea of an album triology may be a brave choice - it seems as though there could be two outcomes. They either produce 3 brilliant, unique albums, or the standard of songs simply suffer due to the sheer volume of music they have created. I sincerely hope the latter is just a possibility, rather than a reality, for their sakes, as well as their fans. I can't comment on that yet (sadly, time travel is a little out of my reach), but I can say something about their 1st single, 'Oh Love', released on July 16th.

The hype created by the band, meant I was expecting a huge deal from this single. The wonderful older songs I know and love, such as Redundant, Good Riddance, Basket Case and Macy's Day Parade (I could carry that list on for another paragraph!), as well as the power of American Idiot, and subsequently 21st Century Breakdown, (even the occasional quirky/mental contribution from Tre - listen to D.U.I. or Dominated Love Slave...), show they're incredibly capable of producing amazing records, and are insanely talented. It would be a huge shame were they not to put these talents to full use. After listening to Oh Love, virtually all day, I'm sad to say I'm somewhat disappointed. It sounds like something Billie Joe has written in 5 minutes. I don't hate it, not even close, but then again I'm not overly compelled to put it on repeat. Every band has a less that brilliant song, but Green Day have set the standard so high for themselves, BY themselves, that they have a great deal to live up to. I understand that they are aiming to create a simpler sound, but there are ways of doing this without boring the listener to death. The song is incredibly repetitive after while - perhaps the 5 minute length is just too much?

Even as I write exactly what I think, I almost feel a sense of guilt. Green Day are my favourite musicians, who have created what I believe to be some of the greatest records ever made, that I feel disloyal by writing negative comments. They're astounding back-catalogue is why I am so surprised by this song. Where's the legendary Tre Cool drumming, and the heaving hitting Mike Dirnt bassline? Billie Joe's beautiful voice is still well and truly there, but they're considered to be in amongst the greatest musicians of the 21st century - their talent is not 100% evident in this song. Imagine this was the first single of a new band. How well do you honestly think they'd do? Would they get the worldwide fanbase of Green Day, from that song alone?

The chorus is powerful, and pleasant enough, but in its entirety, the song seems to lack in excitement, power or drive. The basics are there, but something vital is definitely missing.  It's as though they've forgotten to include the element that maintains the listeners attention.

My loyalty to Green Day hasn't worn off, I admit to welling up every time I watch the Bullet In A Bible DVD, just because of the sheer amazing memory of that day. I'm not writing them off yet. A live version of a new song called Stray Hearts can be found on YouTube, and it's really, really good. This is why I haven't lost enthusiasm about the new albums. It just seem like strange choice for a debut single. I hope there's more, I really do. Only time will tell. (25th of September, to be precise. See, I'm still excited!)

Confession time...

I have a confession to make. It goes against everything I once believed in, and everything I stood for, something I find incredibly difficult to admit. It's taken courage to talk about, but it's a secret I've been keeping for too long. Here goes...

I like listening to chart music. There. I said it. The Wanted, LMFAO, David Guetta and Maroon 5 - I like them all. Hidden among Green Day and Blink-182 albums are Now! CD's and Ministry Of Sound compilations. Previously I would secretly listen to Radio 1 with headphones in the dead of night, for fear of others hearing (I may be exaggerating slightly there), but now I can openly show my love of all things Top 40. I'd so stubbornly chose to concentrate on rock music, I naively ignored so many songs. I eventually realised that a lot of chart music is good. Really good.

One huge benefit of this musical discovery, is that I can go on nights out without wanting to remove my own ears. I can also listen to radio stations after 9pm, and am deemed a normal person as I no longer have the pop music knowledge of a 90 year old. It's actually led to some amazing revelations, such as that the noises chavs play on their phones on the bus, are actual songs, and that Dubstep isn't some unfortunate walking ailment. Ooh he's got a horrible case of Dubstep. Can hardly get down the stairs. 

My favourite song in this recently discovered genre, is this... (though my new found knowledge tells me that it's not found it's way into the Top 40 yet. Impressive. I know.)

http://www.youtube.com/watch?v=1uTF9Z6cjb4&feature=BFa&list=FLAgBS9mQTtpcFIL9X8WxQhw

Music, life, and the power of lyrics.

Music means something different to everyone. It can be a soundtrack to everyday life, enhancing the good times, or it can help to hold us up in the lowest of moments. A song will never argue with you, or fight back - a singer will never judge. You’re not just listening to music, you’re connecting with a songwriter, seeing parts of your own life reflected in their lyrics, and glimpsing a small part of their world. You’re getting inspiration from the thoughts of someone else.

In difficult times, a song blasted from speakers can drown out reality, the noises of life replaced by music. It can be a tool to help you rationalize your life, or simply help you imagine a different outcome. Just for a while, you create a life different to your own, a dream world inspired by the lyrics of a stranger. For a few minutes, you live in a musician’s creation.

It is easy to be judgemental about a certain style of music, or a song you can’t stand, but it’s equally easy to overlook the meaning someone might find within it. However unappealing it may seem, that song might mean as much to that person, as your favourite song does to you.  It is human nature - if something makes you feel stronger, you automatically return to it. For me, that is the role that music plays. I listen to songs that inspire me, help me, that relate to my life. It can seem to improve situations at times, and whether that’s true, or just a figment of my imagination, I can’t say. But is there a point where this level of reliance on music becomes unhealthy rather than helpful? As beautiful or life-affirming a particular song may be, it is still just the words of another person. Most likely the words of a stranger. 

It can be easy to associate a song with the musician who wrote it, which therefore can link these positive feelings with the person themselves. I think this is where ‘musician worshipping’ sometimes begins. I use this term lightly, as for most people a band certainly does not evolve into some sort of religion. I admit that I have been known to be quite ‘enthusiastic’ about certain bands – infact there are one or two bands that I’d miss my own birthday for than miss on tour, but is there a point where this level of dedication to a band or musician hinders your life rather than helps it? Does it encourage people to live in a fantasy world rather than concentrating on reality? Or is it encouraged because musicians wouldn’t make half as much money if this almost obsessive behaviour were to cease?

Jaret & Erik Acoustic Tour 2012 - Roadmender, Northampton

It can’t be easy to leave half your band behind, armed with only acoustic guitars, and travel to a foreign country to impress crowds. Some bands would run and hide at the prospect, some might even cry, but Jaret & Erik ran with it, embraced it, and created a fantastic show. Before their opening date at the Roadmender, Northampton - new territory for the band, I almost felt a sense of apprehension for them. Not because they wouldn’t be good, far from it, but because of the nature of the venue. After countless gigs there, I’ve come to realise that it’s great, but the average audience is far from enthusiastic. Most people spend half their time outside smoking; and I believe I once saw someone fall asleep. I needn’t have considered this though, because they grabbed the attention of the crowd throughout the entire set, throwing back remarks that silenced even the most persistent of hecklers!

The acoustic nature of the show created an atmosphere I hadn’t ever really seen at a gig before. The ordinary barrier between band and audience was removed, creating a sense of equality, rather than the usual ‘rockstar’ status often associated with established bands. They’re ordinary people after all, no different from anyone else in the room, something that really seemed to resonate at that particular gig. Erik Chandlers solo set provided a great start to the show, proving the songs sound as good live as they do on his recent EP. His voice is almost as distinctive as Jaret’s – he should sing far more in Bowling For Soup! People On Vacation produced an equally successful set, with Ryan in no way being overshadowed, and as liked by the crowd as Jaret & Erik were. I was trying to decide how I would describe their music, finally settling on ‘Bowling For Soup if they run out of Prozac’. I mean this in a good way – it’s different, it’s not something you’d want to listen to 24/7, for fear of uncontrollable crying, but it works.

If there was one thing that the audience learned from the show, it was that Bowling For Soup songs played acoustically sound really, really good. Without sounding like a BFS bore, it was incredible to hear Turbulence played so simply – the lyrics have been incredibly helpful at certain points in my life, and from the looks of fellow audience members, and the enthusiastic singing along, I’m certainly not the only one! The show seemed to carry on forever (in a good way!), with an impressive amount of songs played. Even hanging around afterwards, scrounging for autographs, (thank you very nice people also on the tour!) I didn’t feel like I shouldn’t be there. I left the venue feeling genuinely impressed, somewhat uplifted, and very happy.